Mike J
2008-11-11 13:29:57 UTC
Random : media : Watts/Spiritual Spice
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What happens to me when I smoke DMT is, there's a kind of going toward it. There's a sequella of events which lead to the antechamber of the mystery. I mean, you take a toke, you feel strange. Your whole body feels odd. You take a second toke, all the oxygen seems to have been pumped out of the room. Everything jumps into clarity. It's that visual acuity thing. You take a third toke if you're able, and then you lay back, and you see this thing which looks like a rose or a chyrsanthemum, this orange spinning flowerlike thing. It takes about fifteen seconds to form, and it's like a membrane. And then, you break through it. You break through it, and then you're in this place, and there's an enormous cheer which goes up as you pass through this membrane. Some of you may know the Pink Floyd song about how the gnomes have learned a new way to say hoo-ray? They're waiting. And you burst into this place, ... and you say, 'Am I all right? Am I all right?' That's the first question, and so then you run your mind around the track, and you say, 'Hmm. Heartbeat normal? Yeah, normal, heartbeat normal. Pulse normal? Breathing? Breathe breathe breathe, yes.' But what's right here, right here and from here out is this thing which, no matter how much science fiction you've done, no matter how much William Burroughs you've read, no matter how much time you've spent in the company of the weird, the bizarre, the autre, and the peculiar, you weren't ready: and it's completely real. It's in a way more real than the contents of ordinary reality, because, see how the shadows here are muted and there's a lot of transitional zones from one color to another and so forth? This isn't like that. This is crystalline, clear, solid, you can see the light reflected in the depths of these objects, and everything is very brightly colored, and everything is moving very, very rapidly.
And there are entities there. It's not about calling them up or the whisperings of them. No, they're in your face. And they're right here, and they're worse than in your face, because what they do is, they jump into your chest and then they jump out. And you have to keep saying, 'Keep breathing, keep breathing, don't freak out, pay attention.' And the entities speak to you, and they speak both in English and another way which we'll get to in a minute. But in English what they say is, 'Do not give way to wonder. Hang on. Don't just go gaga with disbelief. Pay attention. Pay attention.' And what they're trying to do is they're trying to show you something. They are very aware of the fleeting nature of this encounter. And they say, you know, 'Don't spiral off into amazement, and start raving about God and all that. Forget that. Pay attention to what we're doing.'
And then, what they're doing is they're dancing around, they're jumping around, they're emerging explicitly out of the background, bounding toward you, jumping into your chest, bounding away, and they offer, they make offerings. And they love you, that's the other thing. They say this. They say, 'We love you. You come so rarely. And, you know, here you are. Welcome, welcome.' And they make these offerings. And the offerings are objects of some sort. And now remember, you are not changed. You're exactly the person you were a few minutes before. So you're not exalted or depressed. You're just trying to make sense of this. And the objects which they offer are like, Faberge eggs, or exquisitely tooled and enamelled pieces of machinery, but they don't have rigid outlines. The objects are themselves somehow alive, and transforming and changing. So when these creatures -- I call them 'tykes' -- when these tykes offer you these objects, you like, you grok it, you look it and immediately, because you are yourself, you have this realization: my God, if I could get this thing back into my world, history would never be the same. A single one of these objects is somehow, you can tell by looking at it, this would confound my world beyond hope of recovery. It cannot exist. What I'm being shown is a tiny area where miracles are transformed.
And the creatures, the tykes, are singing. They are speaking in a kind of translinguistic glossilalia. They are actually making these objects